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You Can Sleep When You're Dead: Blog by Colleen Miniuk » Page 26

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Feb 072013
 
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During February,I’m thrilled to be participating in the month-long “Alberta-Arizona: People and Places” exhibition at the Calgary Public Library in support of the prestigious “Exposure 2013 Photography Festival” in Alberta, Canada.  Presented by the Calgary-based IRIS Photographic Society and Phoenix-based Through Each Others Eyes non-profit organizations, this photographic show features a mix of work from exchange photographers Peter Carroll, Royce Howland, Ken Ross and yours truly.

In celebration of this exciting inaugural show with IRIS and TEOE in Calgary, I’m pleased to share that one of our photographs currently on display at this exhibition, titled “Reflections at Moraine Lake” from Banff National Park, Alberta is our CMS Photography Print of the Month for February 2013!

Now thru February 28, 2013, visit our website and use coupon code FEB13POTM01 to receive 30% off any size or style of this print. As with each Print of the Month within the collection, in addition to your print, you’ll also receive a one-page write-up on the story behind the photograph, which will include specific location information, technical details, and photography tips.

If you’d like to see the print in person (and Calgary happens to be a close-by destination), be sure to stop by the Calgary Public Library!  To learn more about this exhibition, please visit IRIS website at irisphotoalberta.ca/events/2013-events/exposure-2013-exhibit-calgary-public-library/.

Jan 162013
 
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I have to spill the coffee beans…

This may be hard for some of you to believe, but…
I used to photograph food professionally. 

GASP!!

Not one to turn down a good challenge, I began shooting cuisine in late 2007 after seeing a stock call for “southwestern recipes” from a calendar company more famous for its landscape photography, and naively said, “Hmmm, that could be fun!”

For the three years that followed, fun it was as my husband, Craig, and I worked together to produce not one, not two, but three exclusive Southwest Cooking calendars.  In between developing new recipes and buying props for the calendars, I wrote restaurant reviews for a number of publications, including Arizona Highways magazine, who published my first restaurant article on one of our favorite spots in Arizona, The Cliff Dwellers Restaurant in Marble Canyon, called “Remote Possibilities.”  I also managed to collect a broad variety of commercial clients across Arizona to help with their advertising needs.

The food photography business was great on the pocketbook, but not so great for nurturing the soul of a nature lover – or for the booty, let’s be honest.  So in 2011, I stopped shooting alluring appetizers, enticing entrees, and delectable desserts to focus entirely on what I loved most, the Great Outdoors.

Though I’m no longer a shutterbug of sushi, I don’t regret spending those years getting a different flavor of photography.  In fact, I believe it’s made me a better nature photographer, as I still incorporate many of the techniques learned while photographing food during my outdoor escapades.  Specifically:

  1. Fleeting moments in nature disappear as quickly as fresh ice cream melts under hot lights.  For a single recipe featured in our calendars, we spent six to eight hours developing the recipe, arranging props, deciding on color schemes, and designing the set – “visualizing” – and only a few seconds photographing the final scene…which is about as long as most food looks edible in a studio setting.  Similarly, Mother Nature may only give us a few seconds to record “the” shot so prepare yourself for that special moment by drawing on paper or creating a picture in your mind of what you resulting photograph will look like – before snapping the shutter.
  2. If a photograph is truly worth 100o words, don’t use just 999 of them to convey your message.  During the extensive set designing process, we intentionally and precisely placed every single sesame seed, slice of lime, and sprinkle of cilantro in an exact location.  Before snapping the shutter, we studied every corner, the edges of the frame, and the visual relationship between the elements to ensure the scene appeared exactly as we wanted to convey exactly what we wanted.  Although changing moments in nature sometimes don’t allow a six to eight hour review of your composition, scan your frame before making the image to ensure you haven’t inadvertently included out of focus branches, overly lit areas on the edges of your frame, or anything else distracting from delivering a clear visual message.
  3. If the sesame seed doesn’t stay where you want when you move it, glue it.  Besides superglue, I’ve used glycerin, hairspray, soapy water, motor oil, mirrors, and a host of other hidden props to make a plate of food look presentable.  No matter your subject, once you have a clear vision, do whatever it takes to make it a reality (within legal and ethical boundaries, that is).  Put a shower cap over your lens to create an ethereal mood, hire a pilot to help you get an aerial perspective, or use a tongue-switch for hands-free operation of your camera while riding a bike (you’d be amazed at the stories you can tell about using a tongue switch!).  Being a persistent, creative problem solver pays off.  I’m currently imagining using the Cloud Machine to resolve my clear blue sky “dilemma.”
  4. Like a smooth, buttery Chardonnay, rocks, trees, and water don’t bite, so get closer.  If you think you’re close enough, if feasible, take two steps forward while keeping the same focal length of lens on your camera to eliminate extraneous details and keep your visual message clear.  Note:  Wildlife and people can bite so attach a teleconverter to a longer focal length lens instead of trying to get in their face.
  5. A normal-sized tostada looks more tantalizing on a tiny plate than on a big plate.  By tweaking proportions, we were able to draw attention to what seemed to be an abundant and attractive portion size.  When you aim to modify the relative size of natural objects, tap into the perspective distortion a wide-angle lens offers to make a bush or other object in the foreground look excessively large in comparison to its surroundings.  Or use a telephoto lens to compress two distant objects, making them seem closer together than they truly exist.

Have you recently tried photographing something outside your comfort zone?  What experiences and learnings have you had in photographing something other than the outdoors that eventually affected your nature photography?  We’d love to hear your stories and tips in the comments below!

January 2013 Print of the Month: 30% Off Prints of this Photo Thru January 31, 2013!

 Print of the Month  Comments Off on January 2013 Print of the Month: 30% Off Prints of this Photo Thru January 31, 2013!
Jan 042013
 
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New for 2013, we're pleased to introduce our new Print of the Month Collection!

Here's how this works:  Each month, I'll select one featured photograph, and for the duration of that month only, that selected photo will be available for sale at 30% OFF any size and style print!  In addition to your print, you'll also receive a one-page write-up on the story behind the photograph, which will include specific location information, technical details, and photography tips.

To order the print of the month, visit our new 2013 Print of the Month gallery, select that month's photo, click Add to Cart, select the size and style you desire, and then enter the coupon code provided above the photograph during the checkout process.

Without further ado, I'm excited to share that our most recent photograph, titled “Winter Solstice Eve” from Canyonlands National Park, Utah is CMS Photography's very first Print of the Month!  Now thru January 31, 2013, if you use coupon code 13JANPOM1, you'll receive 30% off this print in any size and style!

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Viewed from the Green River Overlook, the sun sets over Island in the Sky district in Canyonlands National Park, Utah, USA (Prints available – click on photo to order & use coupon code 13JANPOM1 to receive your 30% discount now thru January 31, 2013!)

Jan 022013
 
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“The future belongs to those who believe in the beauty of their dreams.”
~Eleanor Roosevelt

Happy 2013 Everyone!  A new year means a blank canvas on which to create new friendships, opportunities, and achievements!  I hope you each have big dreams in mind, and perhaps even more importantly, I hope you follow them relentlessly and passionately so they all come true for you in the new year.  After all, “you can sleep when you’re dead,” right?

Whew, what a year 2012 was for CMS Photography!  Last year will go down as our busiest, most successful, and by far the most exciting year to date, with many countless “thank you’s” owed to you, as I could not do what I do without your continued support!  I feel truly fortunate to be surrounded by so many inspiring, creative, and enthusiastic people.

Some major highlights for us from last year include (in no particular order):

And just when you think you can’t have any more wild fun, 2013 shows up!

Going into our sixth year as a full-time freelance photographer and writer, I couldn’t be any more pumped for the year to come, not just because of all the travel planned and the new projects we’ll announce throughout the year, but all the great times and awesome learning opportunities we’ll share together, whether that be during our upcoming Workshops and Presentations or simply out in the field sharing some light and good laughs.

But, before we start running down the 2013 street like a bat outta hell, though, I’d like to share my favorite 13 (a lucky number for the new year!) photos in celebration of a joyful 2012.  For more inspiration, be sure to also head over to Jim Goldstein’s Blog, hes posted his traditional and ever-growing list of other photographers’ own favorites and best from 2012 for his “Blog Project: Your Best Photos from 2012.

Here goes:

1.  Winter’s Serenade, Death Valley National Park, California (January 2012)

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Cottonball Marsh area along Salt Creek in Death Valley National Park, California, USA (Prints available – click on photo to order!)


2.  Walk the Line, Death Valley National Park, California (February 2012)

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Cracked mud and stones in the Panamint Dry Lake in Death Valley National Park, California, USA (Prints available – click on photo to order!)

3. Sunrise at Boulder Beach, Acadia National Park, Maine (June 2012)

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er Beach and the Otter Cliffs, Acadia National Park, Maine, USA (Prints available – click on photo to order!)

4.  Bunchberry Dogwood, Acadia National Park, Maine (June 2012)

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Bunchberry dogwood (Cornus canadensis) at Acadia National Park, Maine, USA (Prints available – click on photo to order!)

5.  The Totem Pole and Yei Bi Chei, Monument Valley Navajo Tribal Park, Arizona (June 2012)

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The Totem Pole and Yei Bi Chei rock formations in Monument Valley Tribal Park, Arizona, USA (Prints available – click on photo to order!)

6.  The Colorado River Flexing its Muscle, Glen Canyon National Recreation Area, Arizona (June 2012)

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The sandstone cliffs of Marble Canyon reflect into waves in the Colorado River near Lee’s Ferry, Glen Canyon National Recreation Area, Arizona, USA (Prints available – click on photo to order!)

7.  The RCMP Musical Ride, 100th Anniversary of the Calgary Stampede, Calgary, Alberta, Canada (July 2012)

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Abstract view of the Royal Canadian Mounted Police’s Musical Ride during Stampede in Calgary, Alberta, Canada (Prints available – click on photo to order!)

8.  Reach for the Sky, Glen Canyon National Recreation Area, Arizona (August 2012)

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Abstract sky pool pattern in Lake Powell, Glen Canyon National Recreation Area, Arizona, USA (Prints available – click on photo to order!)

9.  Autumn on the North Rim of the Grand Canyon, Grand Canyon National Park, Arizona (September 2012)

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Gambel oak line the edge of the North Rim of the Grand Canyon National Park, Arizona, USA (Prints available – click on photo to order!)

10.  Autumn Regeneration, Kaibab National Forest, Arizona (September 2012)

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Abstract view of a regenerating burned forest during autumn in the Kaibab National Forest, Arizona, USA (Prints available – click on photo to order!)

11.  Mother Nature’s Ice Cream, Vermilion Cliffs National Monument, Arizona (October 2012)

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Striated bentonite clay beds in the Paria Canyon-Vermilion Cliffs Wilderness Area, Vermilion Cliffs National Monument, Arizona, USA (Prints available – click on photo to order)

12.  Spell of the Sea, The Big Island, Hawai’i (November 2012)

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Waves and volcanic rock along the Puna Coast on the Big Island of Hawaii, USA (Prints available – click on photo to order!)

13.  Winter Solstice Eve, Canyonlands National Park, Utah (December 2012)

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Viewed from the Green River Overlook, the sun sets over Island in the Sky district in Canyonlands National Park, Utah, USA (Prints available – click on photo to order!)

Thank you for stopping by the “You Can Sleep When You’re Dead” blog!  Let’s all make 2013 a year to remember!

~Colleen

Dec 182012
 
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We cannot direct the wind, but we can adjust the sails.”
~Bertha Calloway

As previously announced on my blog (“Buy a Print & 100% of the Profit to Help 3rd Grader Emily Beat Brain Cancer” ), I planned to donate all the profit from the print sales during November 2012 to Emmy’s Army, a fund established for my friend, Emily, who’s a third grader fighting a malignant brain tumor.

I’m so proud to report that this CMS Photography community  – from across the United States, from Canada, and even Germany – raised $1,411.06 in one month for Emily!  I wish I could find adequate words beyond “thank you” to help me express just how appreciative I am to those of you who bought a print to support this cause.  I’m equally as grateful to those of you who continue to express interest in Emily’s condition and offer your warm words of support for her and her family.   Thank you for your support – thank you for making a difference!

In a celebration of hope, life, and togetherness, in Emily’s honor, I’ve created “Emmy’s Album” below to showcase the broad variety of prints purchased to support her in her fight.  Please join me in keeping Emily and her family in our thoughts.

P.S.  If you would like to still help, please visit the Emmy’s Army fundraising campaign at https://fundrazr.com/campaigns/dLLIf to make a donation.

Emmy’s Album

 

Dec 132012
 
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Garnet Ghost Town

Main Street during winter in Garnet Ghost Town, Montana.  The bottom, illuminated cabin is Dahl’s Cabin.  From left to right, the building directly across from Dahl’s Cabin is Kelley’s Saloon, then Davey’s General Store , and then the JK Wells Hotel.  Miner’s cabins are behind these buildings.  The white building with teal trim in front of the store and hotel was originally the Dahl Saloon, but now serves as the Garnet Visitor Center.  (Prints available – click on photo to order!)

For some married couples, spending the holidays with the in-laws is more intolerable than getting four wisdom teeth pulled simultaneously without anesthetic.  Me?  I lucked out.  I love hanging out with my in-laws.  When my husband, Craig, and I prepare to make our drive from Chandler, Arizona to Missoula, Montana at Christmastime, I eagerly pack my bags in anticipation of insightful conversations, hearty laughs, and much needed rest and relaxation.

Leaving our hectic hometown lives behind, we heed the famous advice, “when in Rome, do as the Romans do” as soon as we pass through the blue-stained-pine door at the Sperry household.  Time means something different in Montana. No one rushes to do anything.  Except me, I rush to do nothing.

Hugs and pleasantries exchanged, chilly hands happily greet bottomless cups of fresh brewed coffee as we start indulging in heart-to-hearts about where life has taken us since our last visit or phone call.  Gathered around the den’s gas heater pumping out warmth for the entire house, no one in the Sperry family thinks twice when the person sitting closest to the radiant heat falls asleep during someone else’s intriguing story.  In fact, these ad-hoc naps next to the hearth happen so frequently, it’s become a much photographed Christmas tradition, usually involving fake raccoon caps and other novelty props.

Conversation eventually slows.  Then, books from bookshelves against every free inch of wall fall into the eager hands of my father-in-law, two brother in-laws, their wives, one niece, three nephews, my husband and me.  Occasionally, the youngsters interrupt, challenging the adults to a game of Clue or a match of pretend sword-fighting.  We celebrate our wins and recover from our losses in the same way, by pouring another cup of coffee and staring out the large picture windows watching the gently falling snow.

After three days of this peaceful Montana rhythm, thoughts of chewing my arm off enter my brain.  Filled with endless energy, I almost explode like a vigorously shaken can of beer.  Typically, I cope with my restlessness by throwing on winter clothes and disappearing outside alone to photograph the resident white tail deer feeding within arm’s reach of the porch, whether the weather conditions are optimal or not for photography.  Unfortunately, this solution only lasts approximately seven minutes, as the warm desert blood running through my veins begins to freeze the moment I put on a wool hat and gloves.

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The Dahl Saloon reflected in the Kelley’s Saloon front door in the Garnet Ghost Town, Montana

During our 2009 Christmas vacation, after 72 hours, my brother-in-law thankfully suggested a family day trip to a nearby ghost town, Garnet.  My father-in-law agreed, “It’s been a number of years since we’ve been up there.  And we’ve only gone in the summer.  It would be neat to see Garnet in the winter this time.”  The promise of a little exercise, fresh air, and a new adventure to a place I had not experienced excited me.

Oh, who am I kidding, this outing was going to save my right arm!

We needed to go quickly though, as the winding road to the historic mining town is only open until January 1st to high-clearance, four-wheeled drive vehicles willing to navigate the narrow icy track carved through deep snow in the Lubrecht National Forest.  Thereafter, motorized vehicles are prohibited until the beginning of May, causing those who want to see this old town tucked deep in the mountains to endure a long and laborious 11-mile snowmobile, snowshoe, or cross-country ski journey. Opting for a shorter, more comfortable excursion, after breakfast, we piled into heated vehicles aptly prepared for winter driving.

The hour-long adrenaline-inducing ride allowed me time to contemplate my love affair with ghost towns.  No matter the location, the odds and hardships mining families had to overcome to have a life – not even a good life, just a life – fascinate me.  Piecing together what a day might have looked like by studying what’s left behind intrigues me.  It’s the “town” in ghost towns then, not the “ghost,” that brings out the curiosity in me.

That said, I’d call myself a “skeptical believer.”  I’ve never fully accepted that ghosts exist, but I’ve also not dismissed the notion, for a lingering childhood fear that the boogie-man (or far worse) might one day emerge from the abyss called my closet and chase me down the hallway while mournfully wailing, “Wooooo!  Woooooo!” the second I formally shun them.

In my 37 years, I’ve only experienced two situations I couldn’t explain, but I have always hesitated to blame paranormal phenomena for the lights suddenly turning off in my apartment during my senior year in college or the smell of rich cigar smoke being blown into my face five years ago at the infamously haunted Copper Queen Hotel in Bisbee, Arizona.  As with the flashy special effects featured on the “Pirates of the Caribbean” ride at Disneyland, I have nonchalantly attributed both mysterious circumstances to the sly actions of the property management delivering supposed hauntings on precise cue.

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Old bed frame and stove rest inside the Garnet jail, built in 1897, in the Garnet Ghost Town, Montana, USA. (Prints available – click on photo to order!)

With buildings buttoned up and lower visitation during the winter months, the likelihood of such pranks occurring during our Garnet visit was low.  So low such that the only spirit I thought about as we pulled into the snow-covered parking lot was how much of it the past inhabitants must have possessed to tolerate such isolation to survive here at the turn of the 20th century.

Like so many other ambitious gold-seeking pioneers rushed to booming Western mining towns starting in the mid-1800’s, hardy men flocked to the Garnet Range once a rich ore vein was discovered in the Nancy Hanks Mine in 1895, marking the birth of the bustling town of Garnet.  However, instead of bringing gambling, prostitution, and gun fights, these miners brought families with them and picnics, social dances, and sledding parties were common here, unlike the traditional mining camps across the West.

The town quickly swelled to over 1000 residents, and in its heyday, according to the Bureau of Land Management’s (BLM) brochure, “Four stores, four hotels, three livery stables, two barber shops, a union hall, a butcher’s shop, a candy shop, a doctor’s office, an assay office, numerous miner’s cabins, 13 saloons, and a school with 41 students comprised the town.”

The classic boom-and-bust cycle caused hasty construction followed by eventual abandonment, and over time, Mother Nature or various fires destroyed many of the empty, foundation-less buildings. However, now on the National Historic Register and widely considered to be Montana’s best preserved ghost town thanks to efforts of the BLM and the Garnet Preservation Association, the handful of remaining structures continue to attract families from across the world to taste a bit of history.

After descending the short half-mile plowed path to reach Garnet’s main street, my in-laws and I immediately peered inside windows and stepped into different miner’s cabins scattered across the snowy hillside to catch a glimpse of what was left behind.  Curled bed frames in corners, rusted stoves on dirt floors, and tattered newspaper on the walls provided evidence of the good old days in Garnet…and a solemn reminder of how life must have been better somewhere else.

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Inside the Adams house. I used a “spooky” filter, (aka a shower cap) over my lens to render a hazy effect.

Captivated by the log cabin construction and mining relics gracing the exterior of one of the homes, I stayed behind at Dahl’s Cabin while the rest of the Sperry crew continued wandering around the rest of the well-preserved settlement together.  Hoping to evoke the feeling of spookiness in my photographs – after all this was a ghost town – I used icicles dangling from the Dahl’s Cabin to frame the distant Bill Hubner cabin (now the BLM Staff Office) a few hundred feet to the west.  Quick glances at my camera’s LCD showed the softening and hazy effect I was striving for wasn’t panning out.  I tried getting closer to the icicles such that they were essentially touching my lens, but that resulted in severe lens flare, circles that appear in an image when the sun reflects directly into the camera lens.  Dissatisfied with my execution, I left to investigate the other remarkable structures and to photograph my brother-in-law and his daughter sledding in between reconstructed remnants of Davey’s Store and the J.H. Wells Hotel to cap off an enjoyable family adventure.

With little fanfare, we quietly returned to the Sperry home in Missoula to the ceremonial coffee, conversation, and nap-inducing heater.  That evening, I uncharacteristically began the tedious editing process on my photographs from our visit.  With Craig peering over my right shoulder, I quickly displayed one by one my images on my laptop screen.

Mid-way through our evaluation, in an overly enthusiastic display of interest in my work, Craig barked, “Wait!  Go back.  There’s a face in that picture!”

Sure enough, two manly eyes stared back at me in a poorly executed photograph I would normally delete due to lens flare.  I’m an ex-software engineer and a professional photographer.  I can explain this logically. Inadvertently kicking over my coffee mug, I shook my head in disbelief.  I hadn’t seen a ghost there, but my camera had? (Image #1)

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Image #1: The un-manipulated, un-touched photograph out of my camera. The face is is visible on the right side of the photograph in the trees just above the cabin roof line but below the lens flare circles. It may help to step back about 10-15 feet if you have difficulty seeing it.

The Sperry clan hovered around the laptop and collectively dissected not only the photograph with the face, but also the entire series of images captured before and after.  Everyone created their own viable explanation of how my camera and I could have captured a distinct face. After a day’s worth of on and off reviews and deliberations, we decided there was only one way to know if the face in the photograph was of ghostly origins.  We must return to Garnet.  Immediately.

Image #2:  The closest I could get to recreating the scene on our second visit to Garnet.

Image #2: The closest I could get to recreating the scene on our second visit to Garnet.

Craig and I massaged our plans to return to Arizona so that we could revisit the ghost town the morning of our scheduled departure with my father-in-law.  Upon our return, I rushed to the exact spot I captured the ghostly photograph even though the Dahl’s Cabin – which is available for overnight rentals in the winter –  was now occupied by a family of snowshoe-enthusiasts.  Trying not to disturb them as I climbed up the stack of logs on their porch as they peered out the window at me, I snapped several pictures using the printed photograph as my guide.  I immediately evaluated each picture on the back of my digital camera.  No face.  Look at the print.  Recompose from a different angle and position.  Click!  Evaluate, no face, look at print, recompose, click!  Repeat.  Same time of day, same type of light, but this time, no icicles dripping from the roof. (Image #2)

After about a half-hour, I gave up and joined Craig and his Dad at the small Visitor’s Center, which welcomes guests only on weekends in the wintertime.  The burly, no-nonsense ranger on duty – the kind of ranger you’d expect to find in the backcountry of Montana – warmly greeted us with a jolly smile.  Hesitant to blurt out the real reason for our visit, we instead made casual conversation about the town’s history, the details of the displayed artifacts, and ho-hum, the likelihood of seeing ghosts in town during our visit.

“Oh yeah, I see photos all the time from lots of people who have supposedly seen ghosts here,” he sighed, rolling his eyes.  “But none of them are terribly convincing.”

“Well, would you mind taking a look at this picture?”  I asked, sheepishly pulling the folded photograph from my back pocket, “I’d like to see what you think of this photo I took two days ago off the porch of Dahl’s Cabin.”

I felt like an idiot until I saw his eyes widened and he covered his mouth with his right hand.  “I know exactly who that is,” he gasped, “I’m not a believer, but that right there, I might have to start believing. Follow me.”

Our curiosity compelled us to follow with lead feet as the ranger led us to the Hubner Cabin. Inside, he hurriedly sorted through stacks of interpretative signs resting against the log walls.

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Portrait of Frank Davey on an interpretative sign

“Here, here it is,” he exclaimed, handing me a laminated sign featuring a historical photograph of an older gentleman.  I quickly snapped images of the formal portrait as the ranger revealed, “His name is Frank Davey.”

Around 1895, an astute businessman named Frank Davey filed on the Garnet mining claim.  Although little information exists about his previous life prior to his arrival in the mining town, he purchased a store he later named “Davey’s General Merchandise Store” in 1898.  This mysterious man occasionally mined for gold alongside the other hard working miners but kept busy running the Garnet Stageline, managing his general store, and overseeing much of the land on which Garnet was developed.

Though certainly an asset to his town, the resident children didn’t think highly of him.  In an interview conducted in June 2000, Frank Fitzgerald, who spent his childhood in Garnet, revealed, “Davey was kind of growly.”  Lois Gates, who attended grade school in Garnet from 1935-1939, remembered him as “a scary old man” during an interview in March 2002.  According to historical accounts from Lester Robinson, who moved to Garnet in 1937 when he was 10 years old, many people called Davey “Old Hurry” after frequently rushing patrons through his store.

Image #3: The combination of the two images overlaid in Photoshop.

By the late 1930’s, though, people started leaving Garnet to support World War II efforts.  Davey strangely stayed behind.  Considered the last man standing in Garnet, Davey collapsed while surveying his mining claim in the fall of 1947.  Penniless at his death, the Elk Club buried Davey in Missoula.  September 22, 1947 marked the birth of the ghost town of Garnet.

Absorbing these new details from our second visit, Craig and I hopped in our car and anxiously headed home to Arizona.  When I returned to desert, I quickly pulled up both images on my desktop computer and then used Adobe Photoshop to overlay the photograph I captured of Davey’s formal portrait photo on top of my photograph of the face (image #3).  I turned the portrait slightly to match the direction of the man’s gaze in my photograph. The ranger was right.  It was Frank Davey.

Not quite able to get the ghost image out of our minds, Craig and I returned to Garnet in February 2011, skiing the infamous China Grade (Montana’s steepest commercial road) while dragging 100 pounds of gear (affectionately referred to as the “Dead Body”) to stay three nights in Dahl’s Cabin in hopes of meeting Frank.  But that another story for another time…

Almost three years have passed since we saw what the Sperry family calls “the ghost of Garnet,” and still today, many of our conversations include some aspect of our experience.  We chuckle with pride after hearing how my niece wowed her grade school class with the photograph and story during a weekly “Show-and-Tell.”  My now-five-year old nephew added the word “creepy” into his vocabulary and does not want to see the “Giant Man in the trees again.”

Though we live across the country from Washington to Virginia, Arizona to Montana, Garnet has brought us closer together as a family despite our distance.  And although Frank Davey may go by many names, including “Old Hurry” and “Giant Man,” to us, he’ll always be our “Spirit of Christmas.”

For additional information about the Garnet Ghost Town please visit www.garnetghosttown.net

The Outdoor Writers Association of America awarded this blog entry First Place in the “Outdoor Fun & Adventure” category in the 2013 Excellence in Craft awards.

Nov 152012
 
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The RCMP Musical Ride

The RCMP Musical Ride from the 2012 Calgary Stampede in Calgary, Alberta, Canada. Prints available – click on photo to order!

I’d have to look it up in the rule books, but it’s potentially sacrilegious to visit Canada and NOT photograph the world-renowned Royal Canadian Mounted Police (RCMP).  Keeping this in mind as I prepared for my July 2012 visit to Alberta in support of the first Through Each Others Eyes Arizona-Alberta exchange, I naturally put photographing a Mountie in a flashy “Red Serge” uniform towards to the top of my shot list.

But it wasn’t just a portrait of these fine servicemen and women I was seeking.  No, no, the photograph needed to tell an intriguing story about the RCMP.  But what did that mean?  Hmmmm….

After some pre-trip research, different ideas danced in my head until we arrived at the Calgary Stampede Stadium in July 2012.  There, I had the honor of seeing my first RCMP Musical Ride during the 100th Anniversary of the Calgary Stampede, thanks to the efforts of our hosts and fellow photographers Peter Carroll, Royce Howland, and Kerry Smith.

To open this historic rodeo, thirty-plus RCMP members – each riding an elegant horse  – flawlessly moved through an artistically choreographed series of formations and traditional movements within the dirt arena.  With obviously much precision, skill, and teamwork, the galloping horses and straight-backed riders holding stately flags somehow didn’t get tangled!

As I clicked away with fast shutter speeds during the event, I couldn’t help but feel all my frames were too static.  And there was absolutely nothing static about what I was experiencing!

Hastily, I visualized a new approach, one that would allow me to record the impressive formations but yet include a distinct sense of motion.  Within seconds, I set my ISO to its slowest setting (ISO 50), spun my aperture dial to its smallest (f/36), and added a polarizing filter to the front of my 100-400mm lens to slow my shutter speed down as much as possible in the mid-day light.  The result was 1/10th of a second, which in my opinion seemed a little too fast to capture the sense of movement I desired for the scene.

I tried holding the camera still during the slower exposure while allowing the riders to create red streaks and patterns.  Didn’t like it.  I tried panning – a technique where you move the camera from left to right (or vice versa) – to help freeze the riders while blurring the background.  Didn’t like it.  I was quickly running out of tricks…and time!

Then, towards the end of the performance, the troop gathered into the “Dome” formation, where all the riders form a circle and then lower their flags into the center.  Keeping my settings the same, I focused on a single rider in the front with my lens zoomed all the way out, then physically pulled the lens back during the 1/10th of second exposure (referred to as a “zoom pull” or “lens pull.”  You can also recreate this effect in Adobe Photoshop under Filter/Blur/Radial Blur).

Luckily, the combination of the slow shutter speed and zoom pull technique allowed me to capture more energy AND enough structure to provide much-needed context in this more abstract view of the RCMP Musical Ride.  Though my visualizations evolved over time, I felt this perspective successfully told an intriguing story about the RCMP Musical Ride and decided to include this photograph as one of my 20 selected prints to display during the recent Through Each Others Eyes Exhibition at the Art Intersection Gallery in Gilbert, Arizona. (Exhibitions in Alberta, Canada coming your way in early 2013 – stay tuned for more details!)

Technical info:  Canon 5DMII, 100-400mm lens at 285mm zoom-pulled, f/36 @ 1/10th of a second, polarizer, basic post-processing.

Nov 022012
 
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Visit our new website Galleries at http://cms-photo.photoshelter.com/gallery-list to see this image and over 650 different images available as prints to help Emily and Emmy’s Army!

On May 17, 2012, life for my friend Emily changed forever.  This lively third-grader underwent emergency surgery to remove what turned out to be a malignant brain tumor (known formally as a medulloblastoma: http://en.wikipedia.org/wiki/Medulloblastoma).  Since then, Emily has bravely endured intense radiation and chemotherapy treatments to her brain and spine.

Though her mother, Tammy, and I used to sit next to each other at Intel in Arizona (I remember when Emily was born!), we both left Intel, and she and her family moved to Virginia a number of years ago.  I’ve watched Emily’s journey from afar with heartbreak initially, but now with much happiness and hope as I see how her family, her team of doctors, and her community have rallied around her.

I want Emily to know, though, that there are people here in Arizona and across the country rooting for her too!

So in honor of Emily, from now until November 30, 2012, 100% of the profit from any print you purchase from me/CMS Photography will be donated to Emmy’s Army, a fund recently created to help cover Emily’s treatment and expenses.  (Medical insurance covers much – but not all – of what Emily and her family must do to help her fight.)

That’s right, 100% of the profit.  Not some of it.  ALL OF IT.

To help support Emmy’s Army, please visit our new website Galleries at http://cms-photo.photoshelter.com/gallery-list.  By clicking the “Add to Cart” button for any photo, your purchase in any size or format will directly benefit Emily.   If you’ve ever thought of buying a photographic print from us – the holidays are coming up quickly! – please consider doing it RIGHT NOW to help her stay strong in her fight against childhood cancer!

Let’s show Emily we’re cheering for her in her road to recovery!  And thank you from the bottom of my heart.

(P.S.  If you don’t wish to buy a print, but would like to still help, please visit the Emmy’s Army fundraising campaign at https://fundrazr.com/campaigns/dLLIfto make a donation.)

Oct 242012
 
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“Wait, why are there so many stars out?” I murmured to myself as I stepped out of our Lake Louise-based hotel door and into the darkness.

Just a mere six hours before our 4 am wake-up call, Royce Howland and I had dashed around Banff National Park in his 4Runner, watching mammatus clouds form overhead as we chased violent, fast-moving thunderstorms whirling through the scenic valley.  Serendipitously, we found ourselves capping off a thrilling evening with our cameras in the perfect position along the Bow River as the northern sky exploded into a fireball of color.  After experiencing such a spectacular show by Mother Nature, we asked ourselves, “What would the morning bring?!”

As I peered at the speckled sky out the car window, my hopes for capturing moody storm clouds at Moraine Lake – our sunrise destination – disappeared as fast as the coffee did that morning…

Image #1:  Though arguably half-asleep, I dragged my gear up the pathway to the top of the rock pile overlooking this gorgeous lake and found a high point to perch my camera.  I started the morning with the classic, ho-hum, “everybody’s got it” composition as the sun broke through a small sliver of clouds on the eastern horizon.  I normally try to avoid cliche shots, so what was my excuse for kicking off the shoot like this?  I’ll take “Photography While You’re Still Half-Asleep” for $500, Alex!  Jeopardy jokes aside,  this image is definitely not what I wanted to say about this iconic place, but it served to get the creative juices flowing in what I considered to be less than desirable conditions...at o-dark-thirty…

Sunrise at Moraine Lake, Banff National Park, Alberta, Canada

Image #2: I needed some new ideas and inspiration – image #1 wasn’t going to cut it.  Immediately after snapping this shot, I noticed a small canoe leaving the dock (located on the bottom right hand side of the frame in the image above).  Since the broad landscape scene wasn’t evolving to my tastes, I hiked down the hill to see if I could record people interacting with nature instead.  Seemed like an easy way to capture something different here!  But as I approached the dock, I quickly acknowledged that finding people awake, active, and super excited about the papparazzi at 5 am is sometimes hard to come by…but there were lots of colorful canoes willing to pose for me!  With the sun tucking behind another cloud, the subdued conditions afforded me more time to undauntedly play and practice different wide-angle compositions along the shoreline, including this one of the resting boats:

Image #2

Image #3: The diffused lighting helped the colors of the canoe stand out, but I was less than enthusiastic about the boring clear blue sky and the lack of direct lighting on the peaks in the background.  Out they go!  To help eliminate the sky and background, I switched to my telephoto lens and repositioned myself onto a bunch of boulders lining the lake near the dock.

By taking the unimportant elements out of the frame, I was able to then emphasize the canoes and the mirror-like reflection, which resulted in image #3 below (just as the sun peaked out again!):

Image #3

Image #4:  My eyes widened with delight as I reviewed image #3 on my LCD – we’re getting warmer!  (At least the compositions were; this Arizona-based desert rat froze to death out there.  Just look at all that “weird” white stuff in the mountains!)  The reflected provided much needed context about where I was photographing without having to include a background I didn’t like.  That said, I felt the composition in image #3 was too tight, so I put my wide angle lens back on and stepped off and behind the rocks for a broader view to record image #4:

Image #4

Image #5:  At this point, I felt a little like a character in the “Goldilocks and the Three Bears” story – image #3 felt too tight but image #4 felt too broad.  I needed something “just right!”  By adding foreground, the scene appeared to have more depth, but the rocks didn’t really add to the story I was trying to tell.  The part I liked most fell right in the center of the composition of image #4, so I composed a little tighter with my wide angle zoom lens.   And voila!  Image #5 resulted and is the image I have selected to display in the 1st Through Each Others Eyes Arizona-Alberta Exhibition: (blog continues after photo)

Image #5:  “Reflections at Moraine Lake” to be featured in the upcoming 1st Through Each Others Eyes Arizona-Alberta Exchange Exhibition

Now that you’ve seen a sneak peek of one of the images I recorded from my time in Canada, I hope you plan to join us for the Artist Reception on November 7 from 7-9 pm at the Art Intersection Gallery in Gilbert, Arizona to see not only my 19 remaining selections, but also how my Through Each Others Eyes travel partner Ken Ross interpreted Alberta differently than I did and how Alberta-based photographers Royce and Peter Carroll viewed Arizona during their 10-day stay during our cultural photography exchange.  For more information about the exhibition and artist reception, please visit the TEOE website at www.teoe.org/?page_id=829.

Oct 192012
 
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Reflections of Calgary

Reflections of Calgary; Calgary, Alberta, Canada (Click on image to see larger; prints available!)

During my 10-day visit to Alberta, Canada last July to support the Through Each Others Eyes cultural photography exchange, my right pointer finger enthusiastically clicked the shutter over 4400 times.  While it was thrilling at the time to blast away at seemingly anything and everything that caught my eye, it created a gi-normous pile o’pixels I must now wade through to select a mere 20 photographs to display for the upcoming exhibition.  For the non-math majors in the crowd, that means picking out the top 0.5%!  YIKES!

Out of the thousands of images we might capture during a photographic outing, how do we decide which ones to keep and which ones to throw out?   No doubt, editing and critiquing our own photos can seem like an arduous quest – one that has no right or wrong answers – but here are some tips to help you identify your “keepers” in your collection:

  1.  Get organized.  Invest in an image management software like Adobe Bridge, Adobe  Lightroom, Apple Aperture, or the applications that arrived with your camera on a disc (e.g. Nikon Capture or Canon Digital Pro Photo) to help establish a centralized location to easily and consistently conduct your self-critique.
  2.  Bury your obvious screw-ups.  We all got ‘em, but the world doesn’t need to know about ‘em!  (Thank goodness we don’t track batting averages in photography!)  Once you’ve downloaded your images into your chosen software, liberally use the delete key to immediately eliminate frames that are out of focus, badly composed, poorly lit, unintentionally overexposed, and severely underexposed.
  3. Form a first impression.  Scan your images quickly for “keepers.” Simply make a snap decision as to whether your eyes enjoy the photograph or not.  Mark any frame you like (e.g. using the star rating in Adobe Bridge) to tag it for future in-depth analysis.
  4. Whichever Way the Wind Blows

    Whichever Way the Wind Blows; Banff National Park, Alberta, Canada (Click on image to see larger; prints available!)

    Unplug your emotions.  Like your mother told you growing up, first impressions aren’t always correct.  After doing an initial evaluation, let your images “rest” for a day, a week, or even a few months to disconnect emotionally from your photographs.  Once you’re back in the saddle, turn your flagged images upside-down so they are less recognizable to your brain and therefore less connected with your recollection of the influential experiences you had while making the shot.

  5. Get out the butcher knife.  Start hacking away on the technical aspects of your image.  Does the scene convey a sense of depth through the chosen depth of field?  Is the horizon level and positioned away from the middle of the rectangular box?  Could you simplify the composition withou

    t losing context?  Is the light illuminating the subject matter and helping to create shape, depth, and contrast?  Are there any overly bright areas or out of focus areas that are distracting to the eye?

  6. Say something different.  A technically-perfect image might feel boring and be ineffective in visually communicating your desired message.  Viewers will react to your images if they contain subjects and stories that are clear, fresh, intriguing, emotionally-charged, or even controversial.  Does your photograph showcase an unrepeatable moment?  Does it convey a specific mood?  Will your capture provoke thought, dig up memories, or spark new meaning with your viewers?
  7. Taking It All In

    Taking It All In; Icefields Parkway, Alberta, Canada (Click on image to see larger; prints available!)

    Remember, “To each their own.”  What may be the “best” photo for one audience may not be for another so you might find yourself keeping different photos for differing purposes.  For example, you may capture a pleasing iconic Grand Canyon shot good enough to hang on your wall because it reminds you of your last family vacation but not appropriate to send to a magazine who isn’t interested in publishing a story on the “big ditch” in the next 100 years.

  8. Get a brutally honest second opinion.  Once you’ve narrowed down your choices, hand your butcher knife to a trusted friend, family member, or photographer who will gladly use the blade on your work.  Listening to others’ insights can help trigger new ideas and highlight aspects you might not have previously considered.
Valve at Nordegg Mine

Valve at Nordegg Mine; Nordegg, Alberta, Canada (Click on image to see larger; prints available!)

While assessing your own work can be a time consuming, grueling task, being a harsh critic can help not only pick out the winners from your digital dump, but also refine your photographic techniques and polish your unique creative vision over time.

By using this process, my Alberta pixel pile yielded a 20-print story I can’t wait to share at my upcoming exhibition.  And the images in this post did NOT make the cut (even though I like them!)!  In my next blog post, I’ll give you a sneak peek into one photo that did!

If you’d like to see the other 19 I selected, as well as the photographs from my fellow Arizona-Alberta exchange partners-in-crime – Ken Ross, Peter Carroll, and Royce Howland – then please join us on November 7 from 7-9 pm at the Art Intersection Gallery in Gilbert, Arizona for our exhibition’s Artist Reception. For more information, please visit www.teoe.org/?page_id=829.