Are you feeling stuck with your photography? Are you frustrated with always trying to “get THE shot?” Are you looking for ways to be more creative with your work?
If you said yes to any of those three questions (or maybe all of them), then my newest article for On Landscape: “Finding Your Creative Voice” is just for you: https://www.onlandscape.co.uk/2018/03/finding-your-creative-voice/
It shares the story of how I transformed from a photographer who took pretty photographs of classic scenes into a visual artist with a distinctive creative voice (thanks in large part to the Acadia Artist-in-Residence program). It also provides the backstory of why, in my workshops and presentations, I emphasize playing like a 4th grader and running around declaring things like “LOOK AT THAT MUSHROOM!” (Or in my case, LOOK AT THOSE BUBBLES!!)
Along the way, it offers advice on how you too can “find” your own voice, specifically how to get new ideas, release expectations, and handle self-doubt. Hey, if this type-A, overanalytical ex-software engineer can do it, anyone can!
You’ll need a subscription to read the full article, but the inspirational content of this eMagazine is well worth the price. If you aren’t ready to commit to the annual fee, perhaps consider the bi-weekly or quarterly subscription as a taste. Fabulous, super creative photographers like Guy Tal, Rafael Rojas, Tim Parkin, Alister Benn, and others write for this online magazine. It has been–and is–a great source of ongoing inspiration for me and my photography. I don’t think you’ll be disappointed…learn more on their Subscription page: https://www.onlandscape.co.uk/subscribe
(And a big thank you to the good folks at On Landscape for featuring my article!)
I think that 4 year old’s curiosity and fascination are a big part of macro photography. At least it is for me. It’s like going on an expedition every time you find a subject that you haven’t worked with yet. Just marveling at the beauty and complexity that exists in nature no matter what the scale is. Over the past couple of years I fell in love with abstract macro and it too has a similar allure.